Year: 2010.
Genre: Horror.
Country: Uruguay.
Duration: 82 minutes.
Address: Gustavo Hernandez.
Cast: Florence Colucci, Gustavo Alonso, Abel Tripaldi.
Wilson Laura and her father was interned in a remote country house to refurbish, and that its owner will very soon Nestor sale. They will the night there, to begin work the next day.
Everything happens normally until Laura hears a noise from outside and intensified in the upper floor of the house. Wilson goes to inspect meintras down she stays alone waiting for her father ... "
may have to start by saying that America rarely has anything to offer in terms of fear, because the monopoly I have U.S. and European countries like Spain, France and to a lesser extent Sweden. The point is that Uruguay came out with the spoils of the end to fight him as the great powers, and The Silent House is strong enough even to be imposed on certain tanks, and up even there is already a U.S. remake of the same team that brought us Offshore . Now with the syllabus, something is going to assemble such a stir.
Another clear example of the Latino wave of horror is the Argentina Cold Sweat, a new film that revolves around more conventional slasher conventions of the genre, unlike the mystery raised in The Silent House and the peculiar way in which it was filmed.
The major premise of Muda House tour about a girl and her father to stay in the middle of nowhere to refurbish his house shortly thereafter, the edge between dusk and night, she, Laura, heard noises outside. Moments later, on the top floor of the house. His father did not believe him, but goes into the house to investigate, only to disappear. This is just the beginning of the story, a story very well built from the sobriety of the budget, unknown actors and the staging, a risky sequence shot seventy minutes.
As horror story, Muda House works terribly well in the beginning when the father and daughter come home they sit and begin to hear noise, the escalation of horrors continues to the final minutes and nearly half of the movie, incredibly well-orchestrated moments are rather a pretty hard blow to the psyche of the audience: get fast, hit hard, and instantly disappear, leaving the rarefied air and dark moments before. At this point, the sound department plays the most important film with a very creepy and effective music to accompany every step of Laura in the house apparently hopeless.
All this fascinating building a suffocating atmosphere is the ballast in solving the mystery, a twist that is being used enough in the genre and is nothing original, the awkwardness of the revelation is that the script is already confusing at this point, the actors do not help just gesturing and being difficult to understand what they say, and finally there is the expectation of the spectator, who to this point generated much too hope to see them destroyed for this purpose or do not understand what is happening on screen. There are, of course, an epilogue after the credits (and the typical message of cinema verite films to give some closure to the story) to help close this idea presented in the final turn. Movies
similar tone as [REC] and Paranormal Activity served in its history because they create fear in different ways (one with blood and the other with the fear of the unknown) and were creating a crescendo until the end, that both proposals would not let you breathing until it ended. Muda House has a wonderful building when the end is pretty disappointing.
The cast is quite restrained, with two male performances rather sedate, while the heroine of the day (it looks once again under the rules of horror movies a muscular white) played by Florence Colucci hardly stands out and is strong enough to carry the film on his shoulders. Yes, you are more stupid decisions, but if not, the film lasted 20 minutes. There is something that does not close in their interpretation.
lot has been said if the film was actually recorded in one take and is promoted everywhere, or that there are actually several cuts cleverly hidden at different times. In my case, and I guess in many, if courts are not to be noticed unless you're one versed in the issue, or because the adrenaline that comes from seeing the film that detail, but either way, the direction Gustavo Hernández is to congratulate.
Muda House has its moments of glory and horror, some moments do not envy you or the American film better or worse, but it's finally his dull, conventional script that greatly weakens the force created by a powerful start and second act . Still, congratulations to our fellow Uruguayans from cheering a film of the genre!
Grade: C +
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